evy_haynes_desma9

  The rise of the internet and our constant connection with each other prompted questions about the existence of humans in isolation. The Makrolab is a sort of “living laboratory” that was created to host crews, which include artists, performing research in various areas. “Mounted in desolate environments, it looks like a meteorological research center, or even more, like a stranded space station” (Holmes).  (Holmes) The emergence of space travel provided a new mental image to people when they thought of isolation. While a cabin in the woods is often viewed as isolated, it is still much more within reach of the public than another planet altogether.  The Ars Ad Astra project was an exhibition for artists who were interested in outer space themed artworks. They had to make a painting within required size and material specifications so that the artwork could go into space and be exhibited on the Mir space station.  (OURS Foundation) As an aerospace engineer, I wonder h...

  Nanotechnology can be found throughout art in both exciting futuristic applications and in applications that have been used for decades. Certain materials made up of complex chemical compounds use nanotechnology to enhance material properties and increase potential uses of the material. (Zurutuza) A chemical compound that is recognizable to most people is graphite. Commonly used in pencils, graphite was a revolutionary material that provided a less toxic substitute to lead but still provided a smooth writing and erasing experience. Graphene, discovered in 2004, is a specific form of carbon atoms that has unique mechanical properties. It can be thought of as a thinner version of graphite, (Pogue and Wickline) that theoretically has additional artistic properties. Currently, it is mainly used in electronics. (Repsol) Nanotechnology in electronics constantly intertwines with art. Nanotechnology advances the mediums we can use to create art. An example of which is a digital camera, w...

  Module 7: Neuroscience + Art Neuroscience and its related technologies have been intertwined with art for decades. Long enough for terms to be invented to define the interaction between the two. For example, the term “neuroculture” describes how “neuroscience knowledge partakes in our daily lives, social practices and intellectual discourses,” (Frazzetto and Anker). However, when the focus is on how neuroscience knowledge partakes in visual art, the interaction is categorized under “neuroaesthetics,” (Frazzetto and Anker).  An example of neuroaesthetics is how fMRI tools made the image of the human brain iconic. Helen Chadwick, an English artist born in 1951, created Self-Portrait in 1991, which is shown below. At the time, this artwork was described as “fascinating and repulsive,” (National Galleries). I find this interesting because I am a relatively squeamish person and do not find the image repulsive. One thing this could point to is the fact that this technology was ne...

  I think that life itself is definitely a valid expressive medium. The text by Ellen K. Levy supports this notion, stating examples such as Eduardo Kac, Oron Catts, and Ionat Zurr as artists who use living or semi-living materials in their artistic media. Eduardo Kac’s “Specimen of Secrecy about Marvelous Discoveries” features “biotopes” that change due to their environment and metabolism (Kac) (Kac) The use of transgenics and other biotechnology in art offers a scientific critique of the future of the world. For example, Joel Ong created “Terra et Venti” to explore “the role synthetic biology may play in planetary scale geoengineering and weather modification practices in the near future,” (Ong).  (Ong) Artistic media and technologies are interdisciplinary and inclusive of anything that can come from human creativity. It can also be used as a tool to further questions on politics, science, philosophy, and technology. Artistic technology has progressed alongside technology th...